Mastiii 4 (2025) Movie ft. Vivek, Aftab, and Riteish

The Masti franchise returns after nine years with its fourth chapter, reuniting Riteish Deshmukh, Vivek Oberoi, and Aftab Shivdasani under the direction of Milap Milan Zaveri. Released on November 21, 2025, this adult comedy tries capturing the magic that made the original 2004 film popular.

The supporting cast includes Elnaaz Norouzi, Ruhi Singh, Shreya Sharma, Arshad Warsi, Tusshar Kapoor, and Nargis Fakhri. Filmed across UK locations, the movie maintains high production values despite its A-certificate content that limits its audience reach.

Mastiii 4

The Central Premise

Three friends find themselves trapped in dull marriages. Amar runs breeding programs at a zoo, Prem practices medicine, and Meet works in automotive sales. Each man struggles with his wife for unique reasons that drive them toward seeking escape.

Everything shifts at their friend Kamraj’s celebration. They uncover his relationship secret: a yearly “Love Visa” granting him seven days of complete freedom. Inspired, all three rush home to negotiate similar arrangements with their partners.

The wives agree, but with a catch that flips the game. They demand identical freedom for themselves. What starts as the men’s plan for fun quickly spirals into chaos nobody anticipated.

Mastiii 4

Acting Quality

Riteish Deshmukh carries the film on his shoulders. His facial work and timing remain sharp, making weak material watchable. I appreciated how he grounds absurd situations with believable reactions. Among the three leads, he clearly understands his character best.

Vivek Oberoi pushes too hard in most sequences. His exaggerated delivery rarely hits the right notes. Aftab Shivdasani plays loud but stays somewhat in character, making his work passable if not impressive.

Arshad Warsi steals every scene despite limited time. Tusshar Kapoor handles his character’s shifts well, showing solid comic instincts. The female cast gets shortchanged with thin roles. Elnaaz Norouzi receives the most material but her accent sometimes breaks character believability.

Positive Elements

The visual presentation shines throughout. Crisp cinematography captures UK settings beautifully, giving the film a polished look. The title sequence shows real creativity and style. Production design maintains consistent quality that exceeds typical comedy standards.

Milap Zaveri ensures constant movement and energy. The runtime never drags because something always unfolds onscreen. Editing stays tight without unnecessary padding. For pacing alone, the technical team deserves recognition.

Songs blend well without disrupting flow. “Rasiya Baalama” and “Pakad Pakad” suit the mass appeal the film targets. The background music stays appropriately loud, matching the comedy’s exaggerated tone.

Franchise followers will enjoy seeing familiar faces return. References to previous films create continuity. I noticed the film never hides what it is, which brings a certain honesty to the approach.

Major Problems

The writing collapses under its own repetitiveness. Jokes feel borrowed from films released years ago. Double meaning humor dominates without freshness or cleverness. I counted multiple gags that fall completely flat because we’ve heard them before.

Several sequences cross from cheeky into genuinely uncomfortable territory. Bathroom humor in the climax serves no purpose beyond shock value. Even viewers seeking bold comedy might find these moments excessive. The censor cuts show how much more explicit the original version must have been.

Plot developments surprise nobody familiar with this series. The Love Visa concept had potential but gets wasted through lazy execution. I spotted dialogue lifted directly from Main Tera Hero without any attempt to disguise it, revealing desperate creativity shortage.

Critical Reception

Professional reviewers largely rejected the film. India Today described it as tiresome and crude, awarding minimal stars. Hindustan Times called it a return nobody wanted, with desperation replacing genuine wit.

Filmfare pointed out how talented actors get undermined by terrible material. Times of India suggested only hardcore lowbrow fans would last till the end. Firstpost delivered the harshest judgment, awarding zero stars and questioning why these characters keep returning.

Bollywood Hungama noted the film provides occasional smiles but mostly recycled and crude attempts at humor. IMDb audiences rated it 4.6/10 across thousands of votes. Koimoi offered a dissenting voice, acknowledging the film satisfies its specific target crowd.

Viewer Response

Social media reactions split dramatically. Some audience members praised it as great entertainment, celebrating the trio’s chemistry and franchise nostalgia. One fan called it fearless and hilarious, exactly delivering what was promised.

Critics came out just as strongly. Many labeled it embarrassingly bad with outdated humor. Several viewers warned others to skip it entirely, calling it a waste of money and time. One response described it as cringe on steroids with zero redeeming qualities.

Opening day collections reached approximately 2.50 crore, considered weak for a franchise film. Competition from 120 Bahadur didn’t help matters. Day two saw declining numbers, suggesting poor audience retention. Theater occupancy stayed disappointingly low throughout the opening weekend.

Rating: 1.5/5

Mastiii 4 fails to justify its existence. While technical aspects look professional and some nostalgia works, the fundamentally broken script sinks everything. Riteish Deshmukh battles valiantly but cannot save weak material. Only die-hard series fans willing to overlook major flaws might find value here. Everyone else should skip this tired, uninspired comedy that mistakes volume for humor.

Shaurya Iyer

Shaurya Iyer

Content Writer

Shaurya Iyer is a film critic with a background in Literature and a passion for visual storytelling. With 6+ years of reviewing experience, he’s known for decoding complex plots and highlighting hidden cinematic gems. Off-duty, you’ll find him sipping filter coffee and rewatching classics. View Full Bio